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Sara Lee - Beckoning Lines


SARA LEE
Beckoning Lines

In Sara Lee's 'Beckoning Lines' the expanse of the landscape has no bearing to assess distance. Each is a desert of infinity where one is pulled into the nuance of surface.

Exhibition
23 May 20 June 2019
Gallery Open
(Thurs Sun) May 23, 24, 25, 26 10.30 5pm
(Thurs Sun) May 30 ,31 June 1, 2, 10.30 5pm
And other times by appointment

Private View Event Saturday 24 May
2.30 4.30

These intense pastel drawings are made in the studio where, from within each image, the act of making is like walking a cloister. The momentum is stabled by the movement of navigating the paper's surface, retracing the layers, moving into and out of the light, informed by the structure and pace of thoughts.

However, they begin with walking and experiencing the landscape. The sense of a period of time has an empathy with the act of drawing, the tempo of the relationship between action and thought is similar. The Romantics brought walking to our attention as an aesthetic pursuit and this sensibility is imbued in Lee's practice. Wordsworth and his sister Dorothy traversed the Pennines in the nineteenth century, journeying through its sensual experience. At this time walking for the pleasure of being in the landscape was something of a new idea.

'Walking allows us to be in our bodies, in the world, without being busy in themSolnit, Wanderlust

Is Lee framing the landscape in pursuit of the picturesque? Or does she aspire to the more complex encapsulation of atmosphere? She builds subtle layers and, in the holding of the sky between the viewer and the horizon, her landscapes strike beyond the romantic tradition. These images are stripped of their totems - buildings, trees and elements that give rise to the interpretation of scale.

Sara Lee walks and gathers. These are not journeys to be conquered and documented - they are space and time inhabited. The 'being in' the landscapes a conduit of thought and experience. From this action the landscapes she creates are often universal; not specific of a particular vista. Later, the gathered building blocks - drawings, photographs, notes, poems, thoughts - are distilled to the concentrated frame of the image, where the line of the horizon is a tensile hair holding the DNA of place.

Selected Exhibitions - Rabley Gallery: London Original Print Fair; INK Miami, Photo Ireland, Dublin; Royal Academy Summer Exhibitions. Residences - UK: Rabley Drawing Centre; The Peninsula Project, Stoneman Gallery, Cornwall; Brisons Veor - Cornwall; Alayrac, France. Selected Collections Golder-Thompson Collection; Swindon Museum and Gallery Collection; Otter Gallery, Univ. of Chichester Collection, UK, Tarma Univ. Collection, Tokyo, Victoria and Albert Museum Collection, UK.

Enshroud by Sara Lee

SL125

SARA LEE

Enshroud, 2018

Pastel on paper

48 x 36 cm

Pastel on Paper

  • Enshroud by Sara Lee
  • Exchange by Sara Lee
  • Spectre by Sara Lee
  • Turning Tide by Sara Lee
  • Beckoning Line  by Sara Lee
 
 
 
 
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